Robert Indiana (1928, New Castle) one of the preeminent figures in American art since the 1960s, has played a central role in the development of assemblage art, hard-edge painting and Pop art. A self proclaimed “American painter of signs,” Indiana has created a highly original body of work that explores American identity, personal history and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists who make the written word a central element of their work.
Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works.
Indiana’s artwork has been featured in numerous solo and group exhibitions around the world, and his works are in the permanent collections of important museums such as the Museum of Modern Art and the Whitney Museum of American Art in New York, the National Gallery of Art, the Hirshhorn Museum and Sculpture Garden and the Smithsonian Museum of American Art in Washington, D.C., the Albright-Knox Art Gallery in Buffalo, New York, the San Francisco Museum of Modern Art, the Menil Collection in Houston, Texas, the Currier Museum of Art, Manchester, New Hampshire, the Museum Ludwig in Cologne, Germany, the Stedelijk van Abbemuseum in Eindhoven, Netherlands, the Museum Ludwig in Vienna, Austria, the Shanghai Art Museum in China, and the Israel Museum in Jerusalem. He has also been included in numerous international publications, and is the subject of a number of monographs.
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