tempestade em copo d'agua

women artist in Portugal

06 June - 20 July

 

invitacion-01.jpg

In 1932, Portuguese president António Salazar claimed, “we should allow man to struggle with external life, on the street... and allow the woman to defend life, bringing it in her arms, bringing it inside the home.” What have women done to this life they fester? Running from the 6th of June to the 20th of July at Mirat Projects (Calle Blanca de Navarra 8, Madrid), this exhibition explores how celebrated and emerging women artists in Portugal have experimented with new modes of resistance.

Helena Almeida, Maria Helena Vieira Da Silva, Paula Rego are such women; women who make a fuss. Their works avoid inescapable dichotomies, true or false; either-or; letting one explode with rage or burst into laughs. Within the too close, tactile sphere of self-reflection, active fabulations erupt, storming our centres of perception. Paula Rego’s beautiful grotesque shifts the hierarchies of power; Almeida blurs the frontier between work and body, outward and inward; Vieira da Silva make the anecdotal matter, adding infinite dimensions, multiplying alternate versions of a reality. Beyond domesticated sensitivity, the body becomes an experimentation ground, as Almeida stated, “like the edge of a cliff overlooking the sea.” Their inner world is labyrinthine, diffracted, cracking the frame open in a windstorm. Vieira Da Silva, Rego and Almeida have shown how to convert the feminine grievance into a particular kind of strength.

Following their lead, younger artists turn their gazes outward. French writer Stendhal wrote: “a novel is a mirror carried along a high road. At one moment it reflects to your vision the azure skies, at another the mire of the puddles at your feet.” For Manuela Pimentel, the mirror is prismatic, ceaselessly dividing and recomposing the mundane stories of the city she inhabits -  its deserted dreams and incurable utopias. A kaleidoscopic reflection of Portugal’s many layers of memory, before and after the crisis, is projected on the varnished surface of street posters.

Maria Trabulo dramatises the importance of a simple question: what is actually the color of the sea? Questioning its blueness from the perspective of refugees’ crossing she further perplexes our perception of what has become a lieu commun in the media. Both artists refuse to get rid of the debris of Portugal’s future and past crisis. Rather, they experiment with its blending, preparing highly unstable mixtures, always on the brink of explosion, while clouds of dust quietly fill the image.

 

Making a mess of the confined space of their own intimacy or of what is most mundane, Almeida, Vieira da Silva, Rego, Pimentel & Trabulo bring about revolutions for the time of a single hesitation.

 From morning to night, from hand to mouth, let us never cease from fabulating storms within a teacup!

 

Tempestade em copo d’agua. Women Artist in Portugal.

Curated by Jade de Cock & Tiago Feijóo.

 

 

  Paula Rego    O No , 2003  84 x 60 cm

Paula Rego

O No, 2003

84 x 60 cm

  Paula Rego    Honour , 2008  Graphite pencil on paper  137 x 102 cm

Paula Rego

Honour, 2008

Graphite pencil on paper

137 x 102 cm

  Maria Helena Vieira da Silva    Le Vent , 1950  Gouache & pen on paper  43,2 x 54,4 cm

Maria Helena Vieira da Silva

Le Vent, 1950

Gouache & pen on paper

43,2 x 54,4 cm

  Helena Almeida    Dentro de mim,  2000  Photography on paper  132 x 90 cm (x4)

Helena Almeida

Dentro de mim, 2000

Photography on paper

132 x 90 cm (x4)

  Helena Almeida    Dentro de mim,  2000  Photography on paper  132 x 90 cm (x4)

Helena Almeida

Dentro de mim, 2000

Photography on paper

132 x 90 cm (x4)

  Mafalda MendonÇa    Elevação,  2015.  Watercolor & pencil on paper   23 x 18 cm

Mafalda MendonÇa

Elevação, 2015.

Watercolor & pencil on paper 

23 x 18 cm

  Helena Almeida    Dentro de mim,  2000  Photography on paper  132 x 90 cm (x4)

Helena Almeida

Dentro de mim, 2000

Photography on paper

132 x 90 cm (x4)

  Helena Almeida    Dentro de mim,  2000  Photography on paper  132 x 90 cm (x4)

Helena Almeida

Dentro de mim, 2000

Photography on paper

132 x 90 cm (x4)

  Manuela Pimentel    Pouca Terra , Pouca TUA. 2018  Acrylic, cement & varnish on street posters on canvas .  215 x 100 cm + 215 x 100 cm.

Manuela Pimentel

Pouca Terra, Pouca TUA. 2018

Acrylic, cement & varnish on street posters on canvas .

215 x 100 cm + 215 x 100 cm.

  Paula Rego    Untitled , 2008  Graphite pencil on paper  140 x 104 cm

Paula Rego

Untitled, 2008

Graphite pencil on paper

140 x 104 cm

  Maria Trabulo     Wine Dark Sea , 2016-2017  Seawater dried on fabric  150 x 150 cm

Maria Trabulo

Wine Dark Sea, 2016-2017

Seawater dried on fabric

150 x 150 cm

  Maria Trabulo     Blanck Page , 2015  Video, HD, color, Mute.  20' 

Maria Trabulo

Blanck Page, 2015

Video, HD, color, Mute.

20' 

  Maria Trabulo     In Lybia the Sea is Black And in Italy It Is Blue , 2015  Video, HD, color, Mute.  1' 37'' 

Maria Trabulo

In Lybia the Sea is Black And in Italy It Is Blue, 2015

Video, HD, color, Mute.

1' 37'' 

 

Tempestade em copo d’agua. Women Artist in Portugal.  

From the 6th of June to the 20th of July at Mirat Projects (Calle Blanca de Navarra 8, Madrid).

Press release PDF

The interview was conducted by Elena Gómez to Alejandra Barrenechea (Gallery Assistant) of Mirat Projects.

UNA CASA PORTUGUESA is a program dedicated to strengthen the relations of Spanish-speaking community. They show the attractive and current image of Portugal, from the perspective of responsible tourism with the aim of promoting an approach based on respect between cultures.